Again, resonance accentuates the comb filter effect, but unlike Uhbik-F the distance between peaks is kept fairly constant. But is it an angel or a metal monster?Īgain, bass frequencies can bypass the effect (‘bass sanctuary’) to ensure LF-stability.
#U he hive vst series
Phaser set to stun, with up to 42 allpass filters in series delivering the deepest, richest phasing available. But Uhbik-G is not bound by the physical limitations of rotating cylinders – you can make it huge or impossibly small!
In the original tape devices, the radius of a rotating cylindrical tape-head determined grain size and the length of tape in contact with the cylinder determined the overlap between grains. Whole grain goodness…Įffectively cuts audio material into snippets (‘grains’), then plays them back at a variable rate – even backwards. Granular pitch-shifter / phase vocoder (via fast fourier analysis) delivers a wide range of dramatic contemporary effects. Turn up the drive (2nd harmonic distortion), and your lead line will scorch its way through any mix! Uhbik-F simulates two tape machines per audio channel, with recording and playback heads that can even occupy the same position if you want – impossible in the real world! Bass frequencies can bypass the effect (‘bass sanctuary’) to ensure LF-stability while the rest of the sound is swept around. Uhbik-D is the perfect playground for creative delays without the overt complexity of MFM2 (see there!)įlanger, from through-zero tape flanging (dramatic jet-effect!) to classic stomp-box type chorus, with LFO modulation and feedback / resonance Imagine an echo that repeats every quarter note, although precise quarters are not part of the echo signal? Or ping-pong delay (no central tap) that applies the Haas effect for extra movement? Or 7.1 surround delays… Uhbik can do all this and more – once again, the simplicity of the GUI belies its power. With its independant control over high and low-frequency decays, diffusion and modulation, Uhbik-A delivers the kind of reverberations that can turn a flat sound into a warm space, or evoke the widest of landscapes!ĭelay / echo with 5 ‘tape heads’, LFO or flutter modulation, low/high-cut filters, soft-clipping, per-tap feedback and multi-channel pan. Great reverb is seldom conspicuous, but if itʼs not there, something is missing from the sound. While most of the other effects in the Uhbik family are geared towards the more synthetic, radical effects, Uhbik-A is the master of understatement. LFO rate can be set to an absolute value (in seconds or Hertz), synced to host tempo (then scaled by a constant!) or swept manually / automated…Īmbience / Reverb, a very unusual combination of early reflections with different plate algorithms. The entire bundle of nine effects is available now at an unbeatable price…įour of these units (D, F, P, T) are modulation effects that include an ultra-slow to ultra-fast low frequency oscillator. Each surround-capable effect comes wrapped in a beautiful, streamlined interface. Uhbik is our fine collection of effect plug-ins for the discerning audiophile. With its swappable audio engine, flexible signal routing, wavetable support and quality effects, Hive 2 makes sure you can get the sound you want with a minimum of fuss. The 12-slot matrix even lets you modulate effect parameters, encouraging you to explore a whole new world of creative options. Underneath its sleek exterior, Hive 2 lets you go as deep as you like.Īdd movement and life using the shape sequencer, or instantly record, rotate and arpeggiate note sequences. 2000+ NKS-ready factory presets by some of our favourite sound designers.Scope to view the audio output or any modulation signal, with freeze option and zoom controls.
Low CPU usage, 3 different synth engines.Now packed with more controls than ever, version 2 opens up new dimensions of expression… and sheer fun! Hive is quick and uncomplicated, without sacrificing flexibility or audio quality. With its effortless workflow and low CPU usage, you can create stunning patches in next to no time at all.
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